Viewer Rating
Combines user and critic ratings from four sources
40-years ago, there was a prophecy claiming that in the year of “20” and “23”, two emitting lights would come to the Earth from outer space. And the dark light with strong power will bring out a huge disaster. In the summer of 2023, as predicted, two mysterious lights approach Japan and descend on Kasukabe. The white light hits Shin-chan, which makes him get a superpower. Meanwhile, a man called Mitsuru Hiriya, has been bathed in dark light and has acquired psychic powers begins to run amok. A man who wants the destruction of the world, Hiriya VS A happy-go-lucky kindergarten child, Shinnosuke. A superpower battle is going to begin!
40-years ago, there was a prophecy claiming that in the year of “20” and “23”, two emitting lights would come to the Earth from outer space. And the dark light with strong power will bring out a huge disaster. In the summer of 2023, as predicted, two mysterious lights approach Japan and descend on Kasukabe. The white light hits Shin-chan, which makes him get a superpower. Meanwhile, a man called Mitsuru Hiriya, has been bathed in dark light and has acquired psychic powers begins to run amok. A man who wants the destruction of the world, Hiriya VS A happy-go-lucky kindergarten child, Shinnosuke. A superpower battle is going to begin!
The film's dominant themes align with progressive values, emphasizing social awareness and critique of contemporary societal challenges like economic depression and prejudice, and promoting humanistic solutions for collective well-being.
The movie primarily features characters and a setting specific to Japanese culture, without explicit efforts to incorporate diverse racial, ethnic, or gender representation beyond that context. Its narrative focuses on fantasy and family dynamics, addressing social issues like family neglect without framing them through an explicit diversity, equity, and inclusion lens.
The 2023 film, focusing on a supernatural battle, does not explicitly portray LGBTQ+ characters or themes within its main narrative. While the broader series has a history of queer-coded characters, there is no direct evidence that this specific movie continues or revises such portrayals, resulting in no identifiable LGBTQ+ presence.
The film primarily focuses on a conflict involving psychic powers between two male characters. Female characters, while present, do not engage in or win close-quarters physical combat against male opponents through skill, strength, or martial arts.
No characters in the film have an on-screen gender that differs from their established gender in the original Crayon Shin-chan manga or anime source material. Main characters retain their canonical genders.
All major characters, including Shinnosuke, Misae, and Hiroshi Nohara, are voiced by Japanese actors, consistent with their established Japanese ethnicity in the source manga. The film's setting in Kasukabe, Japan, accurately reflects its predominantly Japanese population. No race swaps are identified.
Combines user and critic ratings from four sources