Season 1: In 1847-8, the crew of a real life Royal Naval expedition (later known as Franklin's expedition) led by three captains, Sir John Franklin, Francis Crozier and James Fitzjames, is sent to find the Arctic's fable...
Season 1: In 1847-8, the crew of a real life Royal Naval expedition (later known as Franklin's expedition) led by three captains, Sir John Franklin, Francis Crozier and James Fitzjames, is sent to find the Arctic's fable...
The film's left-leaning bias stems from its central critique of imperial hubris and the destructive consequences of colonialism, portraying nature as a powerful, avenging force and elevating indigenous knowledge over Western ambition.
The series maintains historical accuracy in its primary 19th-century expedition cast, which is predominantly white and male, though it features a prominent indigenous character. The narrative subtly critiques the traditional colonial mindset and the failings of its male leadership, contrasting it with indigenous knowledge and resilience.
The Terror features a significant and respectfully portrayed gay relationship between Dr. Goodsir and Lt. Irving. Their queer identity is depicted with dignity and complexity, serving as a source of humanity amidst the expedition's tragic circumstances. The narrative affirms the worth of their love, framing obstacles as external forces rather than consequences of their identity.
The show primarily features male characters in combat roles against a supernatural creature and the environment. The few female characters present, such as Silna, do not engage in or win close-quarters physical combat against male opponents.
The show's first season adapts a novel and historical events, faithfully portraying the genders of its characters as established. The second season features an original story with new characters, thus not involving gender swaps of pre-existing figures.
The first season of "The Terror" portrays historical figures accurately based on their documented race. The second season, "Infamy," introduces new characters for an original storyline set in Japanese-American internment camps, without altering the race of any pre-established characters. No instances of race swapping are present.
Combines user and critic ratings from four sources