The year is 1959, where Ip Man lives in Hong Kong with his wife and his younger son. Trouble arises when a corrupt property developer and his thugs terrorize the school where Ip Man's son goes to. Ip Man and his disciple...
The year is 1959, where Ip Man lives in Hong Kong with his wife and his younger son. Trouble arises when a corrupt property developer and his thugs terrorize the school where Ip Man's son goes to. Ip Man and his disciple...
The film champions individual integrity, family values, and the defense of tradition through personal responsibility and action against external threats, rather than advocating for systemic change, aligning with right-leaning themes.
The film features a cast that is culturally appropriate to its Hong Kong setting, without engaging in race-swaps of traditionally white roles. Its narrative primarily focuses on themes of community protection and martial arts integrity, rather than offering a critical portrayal of traditional identities or explicitly centering DEI themes.
Ip Man 3 is a martial arts biopic centered on Ip Man's life, family, and martial arts philosophy. The film does not include any discernible LGBTQ+ characters or themes, resulting in a net impact of N/A.
The film primarily focuses on male characters and their martial arts prowess. No female characters are depicted engaging in or winning direct physical combat against male opponents.
The film features characters consistent with their historical or previously established genders. No major or legacy characters from source material or prior installments are portrayed as a different gender.
The film primarily features historical and new characters whose portrayals are consistent with their established or intended racial backgrounds. No character canonically, historically, or widely established as one race is depicted as a different race.
Combines user and critic ratings from four sources