A famous symbologist on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. T...
A famous symbologist on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. T...
The film's central conflict revolves around an ethical dilemma concerning overpopulation and the extreme measures proposed to address it, ultimately championing humanitarian principles and the prevention of radical extremism rather than endorsing a specific political ideology or solution to the underlying problem.
The film features visible diversity in its supporting cast, incorporating actors of various ethnicities in significant roles. However, it does not engage in explicit race or gender swaps of traditionally white lead characters. The narrative focuses on a global thriller without explicitly critiquing traditional identities or making DEI themes central to its plot.
The film adapts characters from the novel where their race was not explicitly stated but generally assumed to be white. The roles of The Provost and The Administrator were cast with Black and Indian actors, respectively, constituting race swaps.
The film 'Inferno' does not include any discernible LGBTQ+ characters or themes within its narrative. The plot focuses entirely on a global conspiracy and art history puzzles, with no elements related to queer identity or experiences, resulting in no portrayal to evaluate.
The film features several female characters, including Dr. Sienna Brooks, Dr. Elizabeth Sinskey, and Vayentha. While some are involved in the plot's action and pursuit, none are depicted engaging in or winning close-quarters physical combat against one or more male opponents.
The film "Inferno" (2016) is a direct adaptation of Dan Brown's novel. All major characters, including Robert Langdon, Sienna Brooks, and Elizabeth Sinskey, retain their established genders from the source material. There are no instances of canonical characters being portrayed as a different gender.
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