La Dolce Villa (2025)
Our Rating
Analyzing...
Leans Left
Viewer Rating
Rating: 6.9
Overview
A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans....
Starring Cast
Where to watch
Rating categories
Political: Center
Diversity: Moderate
LGBTQ: Positive
Overview
A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans....
Starring Cast
Where to watch
Detailed Analysis
Analyzing...
Leans Left
Primary
The film's central focus on pragmatic local economic revitalization and community preservation through cultural projects, presented in a light and non-confrontational manner, positions it as politically neutral.
The film features an international cast, contributing to visible diversity, but does not appear to include explicit race or gender swaps of traditionally white roles. Its narrative focuses on positive social values, family, and community, without critiquing traditional identities or centering explicit DEI themes.
Secondary
La Dolce Villa offers a positive portrayal of LGBTQ+ characters through Giovanni, who brings charm and visibility to queer identities. The film normalizes and celebrates queer presence in romantic comedies, fostering broader inclusivity in mainstream media. This depiction is affirming, highlighting the worth of LGBTQ+ lives and love.
The movie does not contain any action or adventure elements.
Based on available information, La Dolce Villa is an original romantic comedy with no indication of gender-swapped characters. The film reportedly features traditional gender roles and identities without subversion or swapping, aligning with the director's known style.
The film "La Dolce Villa" is described as an original story focusing on Italian and American characters, with no prior source material or established characters mentioned. The provided information explicitly states there is no significant evidence of race-swapping or race-swapped roles, indicating all characters are original to this film without a pre-existing racial identity to alter.
Rating Breakdown
6.9
Overall Rating
Combines user and critic ratings from four sources
User Ratings
N/A
6.4
Critic Ratings
7.5
N/A
More Like This
Strong Left
7.2
My Oxford Year
(2025)
Political: Center
Diversity: High
LGBTQ: Positive
Strong Left
7.1
Materialists
(2025)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Strong Left
7.3
Dear White People
(2014)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Left
8.2
Anora
(2024)
Political: Strong Left
Diversity: Moderate
Leans Left
7.1
Infinitely Polar Bear
(2014)
Political: Center
Diversity: High
Race Swap: Yes
Leans Left
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Left
7.6
My Old Ass
(2024)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Left
7.8
Challengers
(2024)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Left
8.2
Shrek
(2001)
Political: Leans Left
Diversity: Moderate
FemPower: Yes
Leans Left
6.8
Eddington
(2025)
Political: Center
Diversity: High
Strong Left
7.6
Barbie
(2023)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Left
7.2
Sonic the Hedgehog 3
(2024)
Political: Leans Left
Diversity: Moderate
Strong Left
7.7
Sorry to Bother You
(2018)
Political: Strong Left
Diversity: High
Leans Left
7.7
Spider-Man: Far from Home
(2019)
Political: Center
Diversity: High
Race Swap: Yes
Strong Left
7.6
Wicked
(2024)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Left
6.8
Babygirl
(2024)
Political: Strong Left
Diversity: Moderate
Center
7.6
My Dead Friend Zoe
(2024)
Political: Center
Diversity: Moderate
Gender Swap: Yes
Leans Left
6.8
Deep Cover
(2025)
Political: Leans Left
Diversity: Moderate
Leans Left
7.5
Scott Pilgrim vs. the World
(2010)
Political: Center
Diversity: Moderate
LGBTQ: Positive
FemPower: Yes
Leans Left
7.5
Office Space
(1999)
Political: Leans Left
Diversity: Moderate