The manufacturer of dolls Samuel Mullins is a happy family man with his wife Esther and their daughter Bee, who dies after being hit by a car. Twelve years later, Samuel and his wife, Esther, welcomes a nun and six orpha...
The manufacturer of dolls Samuel Mullins is a happy family man with his wife Esther and their daughter Bee, who dies after being hit by a car. Twelve years later, Samuel and his wife, Esther, welcomes a nun and six orpha...
The film's narrative is entirely focused on supernatural horror and the fight against a demonic entity, which are inherently apolitical themes, leading to a neutral rating. It does not engage with or promote any specific political ideologies or societal critiques.
The movie features some visible diversity within its ensemble cast of orphaned girls, though without explicit race or gender swaps of traditionally white roles. Its narrative maintains a neutral or positive framing of traditional identities and does not incorporate explicit DEI themes into its horror plot.
Annabelle: Creation does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely dedicated to its horror plotline, resulting in no portrayal of queer identity within the film's scope.
The movie does not contain any action or adventure elements.
Annabelle: Creation introduces new characters and expands on existing ones within the Conjuring universe. No character established as one gender in prior canon or history is portrayed as a different gender in this film.
Annabelle: Creation is a prequel that introduces new characters whose races were not previously established. The origin of the character Annabelle Higgins is consistent with her later portrayals. No characters were canonically established as one race and then depicted as another.
Combines user and critic ratings from four sources