The First Omen (2024)

The First Omen includes a non-binary character, Layla, whose experiences are portrayed with nuance and engagement. The film integrates this representation into its themes of identity and resistance against oppressive systems, offering a contemporary and affirming perspective on gender and sexuality within its historical setting.

The film portrays the Catholic Church as an oppressive and hypocritical institution, engaged in a sinister conspiracy to maintain power, including orchestrating the birth of the Antichrist. It critiques the church's authoritarian control, particularly over women's bodies and autonomy, against a backdrop of societal change and youth unrest.