Center
6.9
SP: The Motion Picture
(2010)
Political: Center
Diversity: Low
Female Combat: Yes
Lady on 6th Street: Taste of Honey (1982)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
The night in Ginza was shimmering with neon lights. A grand celebration was being held for the seventh anniversary of the club "Ayako." Among the celebrities gathered for the beautiful Madame Ayako were Ayako's patron, businessman Hisamatsu Kozo; Madame Kahoru of "Black Pearl"; Madame Reiko of "La Bonne"; and the drunken, disheveled Fukiko, the owner of "Pahiyon," who relentlessly insulted Ayako. The next day, Fukiko jumped from the roof of a building. Her suicide, the result of her failure to attract customers, seemed to symbolize the harshness of Ginza beneath its glamor.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
The night in Ginza was shimmering with neon lights. A grand celebration was being held for the seventh anniversary of the club "Ayako." Among the celebrities gathered for the beautiful Madame Ayako were Ayako's patron, businessman Hisamatsu Kozo; Madame Kahoru of "Black Pearl"; Madame Reiko of "La Bonne"; and the drunken, disheveled Fukiko, the owner of "Pahiyon," who relentlessly insulted Ayako. The next day, Fukiko jumped from the roof of a building. Her suicide, the result of her failure to attract customers, seemed to symbolize the harshness of Ginza beneath its glamor.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film, characteristic of the pink film genre, primarily focuses on individual sexual narratives and melodramatic personal conflicts, rather than explicitly promoting or critiquing political ideologies or systemic issues.
The film's casting aligns with traditional genre conventions, featuring performers typical for Japanese adult cinema without explicit DEI-driven recasting. Its narrative focuses on genre-specific themes rather than engaging with critiques of traditional identities or explicit DEI messaging.
Secondary
No identifiable LGBTQ+ characters or themes were found in a film matching the provided title 'Lady on 6th Street: Taste of Honey' and director 'Kan Mukai'. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
This film is an adaptation of Shelagh Delaney's play "A Taste of Honey." The core characters from the original source material, such as Jo, Helen, Peter, Geoffrey, and Jimmy, retain their established genders in this 1982 adaptation. No canonical character's gender was altered.
This 1982 Japanese film is an original production and not an adaptation of any prior work with established characters or historical figures. Therefore, there is no canonical or historical baseline against which to assess a race swap.
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