Viewer Rating
Combines user and critic ratings from four sources
Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.
Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.
The film focuses on the apolitical themes of human nature, workplace dynamics, and the challenges of event management, without explicitly promoting or critiquing any specific political ideology. Its narrative is driven by universal experiences and humor rather than political commentary.
The movie features a visibly diverse ensemble cast reflecting various backgrounds, though it does not explicitly recast traditionally white roles. Its narrative focuses on the comedic chaos of a wedding, without explicitly critiquing traditional identities or making DEI themes central to the plot.
The film positively depicts a Muslim groom marrying a Jewish woman, highlighting the acceptance of their interfaith relationship. The narrative promotes understanding and integration between different cultural and religious backgrounds.
The film positively portrays an interfaith marriage involving a Jewish bride, emphasizing acceptance and the bridging of cultural divides. It focuses on the characters' personal journeys and the celebration of love over religious differences.
The film 'C'est la vie!' does not feature any identifiable LGBTQ+ characters or themes within its narrative. The story primarily focuses on the comedic challenges faced by a wedding planner and his team during a chaotic event.
The movie does not contain any action or adventure elements.
The film "C'est la vie!" is an original screenplay with characters created specifically for this production. There are no pre-existing canonical or historical characters whose gender could have been altered.
C'est la vie! (Le Sens de la fête) is an original French film with characters created specifically for this production. There are no pre-existing canonical or historical characters whose race could have been altered.
Combines user and critic ratings from four sources