Leans Progressive
7.8
Cafeteria Man
(2011)
Political: Strong Left
Diversity: Moderate
Moskva (1932)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
A documentary almanac about the life of the Soviet capital during the period of extensive construction of socialism. The film shows both the transformation of the external appearance of Moscow, the construction of new avenues, metro lines, residential buildings for workers, and the formation of a new way of life for a working person. The film also contains footage of the leaders of the working proletariat: vol. I. Stalin, S. Kirov, S. Ordzhonikidze and others.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Christianity: Negative
Overview
A documentary almanac about the life of the Soviet capital during the period of extensive construction of socialism. The film shows both the transformation of the external appearance of Moscow, the construction of new avenues, metro lines, residential buildings for workers, and the formation of a new way of life for a working person. The film also contains footage of the leaders of the working proletariat: vol. I. Stalin, S. Kirov, S. Ordzhonikidze and others.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes the ideology of state socialism, glorifying the collective achievements and planned economy of the Soviet Union, which is a foundational left-wing ideology.
Due to the absence of specific details regarding the movie's casting and narrative content, a neutral assessment was applied for both character representation and thematic framing. This results in an overall evaluation indicating a light presence of DEI characteristics.
Secondary
As a Soviet documentary from 1932, the film likely portrays the Russian Orthodox Church and its practices as outdated, superstitious, or antithetical to the progress and modernization of the new Soviet society, aligning with state anti-religious ideology.
Based on the information provided, the film 'Moskva' does not appear to feature any identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of queer identity is not applicable, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
Information regarding the source material or historical basis for the 1932 film "Moskva" is not readily available to determine if any characters were canonically or historically established as a different gender prior to this production. Without such information, no gender swap can be confirmed.
Moskva (1932) is a Soviet documentary film about the city of Moscow. As a documentary, it does not feature fictional characters with established racial identities from source material, nor does it depict historical figures in a manner that would involve a race swap.
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