Viewer Rating
Combines user and critic ratings from four sources
The new adventures of the three heroes and, of course, the horse Yuliya!!!!. Where will the fate of the fairy tale heroes, who have fallen in love with them still go, what challenges do they have to overcome, that will help them defeat the dark forces? We will find out about this very soon.
The new adventures of the three heroes and, of course, the horse Yuliya!!!!. Where will the fate of the fairy tale heroes, who have fallen in love with them still go, what challenges do they have to overcome, that will help them defeat the dark forces? We will find out about this very soon.
The film's narrative appears to center on universal themes of heroism, adventure, and protecting the innocent, without engaging with specific political ideologies or taking a discernible stance on contemporary political issues.
This animated film features traditional casting for its main heroic characters, consistent with their origins in Russian folklore. The narrative maintains a positive and uncritical portrayal of these traditional identities, without incorporating explicit DEI themes or critiques.
The animated film 'Three Heroes and the Princess of Egypt' does not feature any discernible LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate, resulting in a 'N/A' rating under the provided framework.
The film features Princess Nefertiti, who possesses magical abilities, but does not engage in or win direct physical combat against male opponents. Other female characters are present but are not depicted in close-quarters physical fights where they defeat male adversaries.
The film features the established male heroes Ilya Muromets, Dobrynya Nikitich, and Alyosha Popovich, who are consistently portrayed as male, aligning with their canonical and historical representation. No established characters undergo a gender change.
The film is part of a Russian animated franchise based on Slavic folklore. The core characters, the Three Heroes, are consistently depicted as white/Slavic, aligning with their canonical and historical representations. New characters, such as the Princess of Egypt, do not constitute a race swap of an established character.
Combines user and critic ratings from four sources