
Not Rated
When Tom Redding's wealthy father dies and it turns out that all he left Tom was a mountain of debts, all of his "friends" desert him--except young Mary Austin. Determined to get out from all his debt, Tom heads west and eventually strikes it rich with an oil well. Now wealthy, he hatches a plan to get even with his "friends" in his hometown--by pretending to return home broke but having a colleague secretly buy up as much property in town as he can.
When Tom Redding's wealthy father dies and it turns out that all he left Tom was a mountain of debts, all of his "friends" desert him--except young Mary Austin. Determined to get out from all his debt, Tom heads west and eventually strikes it rich with an oil well. Now wealthy, he hatches a plan to get even with his "friends" in his hometown--by pretending to return home broke but having a colleague secretly buy up as much property in town as he can.
The film's rating is neutral due to the absence of specific plot details or thematic information that would indicate an explicit promotion of either progressive or conservative ideologies, suggesting a focus on apolitical or personal themes.
This 1922 film reflects the cinematic norms of its era, featuring traditional casting without intentional diversity-driven choices. Its narrative maintains a neutral or positive framing of traditional identities, consistent with the period's storytelling conventions.
The film "Back Home and Broke" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a man's journey to prove his worth after inheriting money, without any elements related to queer identity or experiences, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
There is no evidence to suggest that "Back Home and Broke" (1922) features any characters who were canonically, historically, or widely established as one gender and then portrayed as another. The film is a silent comedy from an era where such character reinterpretations were not common practice for adaptations.
The 1922 film "Back Home and Broke" is an adaptation of a play. There is no historical or canonical evidence suggesting that any character from the source material was established as one race and then portrayed as a different race in this film.