The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
Ziegfeld Follies is a musical revue composed of unrelated song, dance, and comedy sketches, which inherently lacks a central narrative or political agenda. Its sole purpose is entertainment, making it an apolitical film.
This 1945 musical features predominantly traditional casting, reflecting the industry norms of its era, with no explicit race or gender swaps of traditionally white roles. The film's anthology format, consisting of various musical and comedy sketches, does not present a narrative that critiques traditional identities or explicitly incorporates DEI themes.
Ziegfeld Follies, a 1946 musical revue, does not feature any discernible LGBTQ+ characters or themes. The film's structure as a series of lavish, unconnected performances and its production era under the Hays Code meant such depictions were absent from mainstream cinema.
The movie does not contain any action or adventure elements.
Ziegfeld Follies is a musical revue film featuring various acts and stars, not an adaptation of a narrative with pre-established characters. Therefore, there are no legacy or canonical characters whose gender could be swapped.
Ziegfeld Follies (1945) is a musical revue film featuring various stars in unrelated sketches and musical numbers. It does not adapt specific narrative source material with pre-established characters whose race is canonical, nor does it portray historical figures in a biographical context where their race would be a fixed attribute. Therefore, no instances of race swapping are present.
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