Viewer Rating
Combines user and critic ratings from four sources
Meg is a young wide-eyed girl who is endures many calamities in her search for a husband in modern-day New York. After losing her suitcase at Penn Station, being kicked out by her roommate, and changing bosses because her boss made a pass at her, she finds herself looking for work at a Manhattan motivational research agency run by punctilious Miles Doughton and his playboy brother, Evan.
Meg is a young wide-eyed girl who is endures many calamities in her search for a husband in modern-day New York. After losing her suitcase at Penn Station, being kicked out by her roommate, and changing bosses because her boss made a pass at her, she finds herself looking for work at a Manhattan motivational research agency run by punctilious Miles Doughton and his playboy brother, Evan.
The film's central subject matter of individual romantic pursuit and its solution of adapting to 1950s social norms for finding a partner, rather than promoting or critiquing specific political ideologies, positions it as neutral.
The movie features a cast that is predominantly white, reflecting the typical demographic representation of its era, without any explicit race or gender recasting. Its narrative centers on traditional romantic themes involving white characters, and it does not present a critical perspective on traditional identities or incorporate explicit DEI themes.
The film 'Ask Any Girl' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is entirely centered on heterosexual romance and the protagonist's experiences in dating and relationships, resulting in no portrayal of queer identity.
The movie does not contain any action or adventure elements.
This film is a direct adaptation of Winifred Wolfe's novel of the same name. The main characters, including Meg Wheeler, Miles Doughton, and Ross Doughton, maintain the same genders as established in the original source material. There are no instances of characters being portrayed as a different gender than their canonical or historical representation.
This 1959 film is an adaptation of a novel. There is no evidence that any character canonically established as one race in the source material was portrayed by an actor of a different race in the film.
Combines user and critic ratings from four sources