American Mike Harper, sent to do business in England, moves there with his wife, Janet. But she soon becomes convinced that Mike is carrying on with his attractive new assistant, Claire. Mike also has been spending a considerable amount of time with his British bachelor buddies. Vexed and lonely, Claire hires charming antiques expert Paul to decorate the Harper home and maybe make Mike jealous in the process.
American Mike Harper, sent to do business in England, moves there with his wife, Janet. But she soon becomes convinced that Mike is carrying on with his attractive new assistant, Claire. Mike also has been spending a considerable amount of time with his British bachelor buddies. Vexed and lonely, Claire hires charming antiques expert Paul to decorate the Harper home and maybe make Mike jealous in the process.
The film is a romantic comedy centered on a couple's personal and marital challenges while adapting to a new country, with its core subject matter and solutions remaining apolitical.
The movie features traditional casting with a predominantly white main cast, reflecting typical productions of its era without intentional diversity-driven recasting. Its narrative focuses on a heterosexual couple in a lighthearted manner, presenting traditional identities positively without any critical portrayal or explicit DEI themes.
Do Not Disturb is a romantic comedy focused on the domestic and social challenges faced by a heterosexual American couple in London. The film does not feature any identifiable LGBTQ+ characters, relationships, or themes within its plot or character arcs, resulting in no portrayal of queer identity.
The movie does not contain any action or adventure elements.
The film "Do Not Disturb" (1965) is an original story and not an adaptation of pre-existing material. Therefore, its characters do not have a prior canonical or historical gender to be swapped from.
This film is an original romantic comedy from 1965, not an adaptation of existing source material with pre-established characters or a biopic of historical figures. Therefore, no characters exist who could have been subject to a race swap.
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