Viewer Rating
Combines user and critic ratings from four sources
Four socialites unexpectedly clash: heiress Brooke Carter runs into gambler Johnny Spanish at the race track while playboy Michael O. Pritchard nearly runs into stage star Kitty O'Kelly with his car. Backstage at Kitty's show, it turns out she and Brooke are old friends who attended public school together. The foursome do the town, accompanied by Brooke's companion Elizabeth, who throws herself at Michael's butler and chauffeur Rodney James.
Four socialites unexpectedly clash: heiress Brooke Carter runs into gambler Johnny Spanish at the race track while playboy Michael O. Pritchard nearly runs into stage star Kitty O'Kelly with his car. Backstage at Kitty's show, it turns out she and Brooke are old friends who attended public school together. The foursome do the town, accompanied by Brooke's companion Elizabeth, who throws herself at Michael's butler and chauffeur Rodney James.
The film's central subject matter of romantic entanglements among wealthy socialites is inherently apolitical, and its narrative focuses on personal happiness and relationship dynamics without engaging in broader societal or ideological commentary.
The film features a cast that is primarily traditional, with no apparent intentional race or gender swaps of established roles. Its narrative focuses on romantic comedy without engaging in critical portrayals of traditional identities or explicitly incorporating diversity, equity, and inclusion themes.
At Long Last Love is a musical comedy centered on heterosexual romantic entanglements in the 1930s. The film does not feature any identifiable LGBTQ+ characters, themes, or storylines, resulting in no depiction of queer identity.
The movie does not contain any action or adventure elements.
This film is an original musical comedy with characters created specifically for the movie. There is no prior source material, historical figures, or legacy characters from which a gender swap could occur.
At Long Last Love is an original musical film with characters created specifically for this production. There is no prior source material, historical record, or established canon from which characters could have been race-swapped.
Combines user and critic ratings from four sources