Apple TVThe Goodbye Girl (1977)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.1
Overview
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Judaism: Positive
Overview
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central themes and narrative solutions are overwhelmingly personal and apolitical, focusing on individual relationships, artistic pursuits, and personal resilience rather than societal or political issues.
The film features traditional casting with no apparent intentional race or gender swaps of established roles. Its narrative focuses on personal relationships and does not explicitly critique or challenge traditional identities, presenting them in a neutral or positive light.
Secondary
The film portrays Elliot Garfield, a Jewish character, with depth, nuance, and sympathy. His Jewish identity is presented as an integral part of his cultural background and personality, without being the target of satire or negative stereotyping.
The film "The Goodbye Girl" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on heterosexual relationships and dynamics, resulting in no depiction of queer identity within its storyline.
The movie does not contain any action or adventure elements.
The Goodbye Girl features original characters created for the film, with no pre-existing source material or historical figures whose gender could have been altered. Therefore, no gender swaps are present.
The Goodbye Girl is an original screenplay from 1977, not an adaptation of prior material or a biopic. Its characters were created for this film, meaning there is no pre-existing canonical or historical race to differ from the on-screen portrayals.
Viewer Rating Breakdown
7.1
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.4
6.9
Critic Ratings
7.7
6.4
More Like This
Leans Traditional
8.4
American Graffiti
(1973)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.2
My Best Girl
(1927)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Traditional
7.4
Woman of the Year
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
(500) Days of Summer
(2009)
Political: Center
Diversity: Low
Traditional
8.5
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Groundhog Day
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.6
Dan in Real Life
(2007)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low
Leans Traditional
6.9
In Good Company
(2004)
Political: Center
Diversity: Low