An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.
An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.
The film is rated Left-Leaning due to its empathetic portrayal of the dehumanizing effects of systemic poverty and alienation on a marginalized Black family, which implicitly critiques societal neglect and aligns with progressive concerns about social and economic inequality.
The film features a predominantly Black cast, authentically portraying the daily life of a working-class Black family. Its narrative centers on the experiences of this community, focusing on their struggles and joys without explicitly critiquing traditional identities or recasting roles.
The film portrays Christianity primarily through its cultural expressions, such as gospel music, which serves as a source of emotional depth and community connection for the characters. It is depicted as an integral, often comforting, aspect of their lives amidst hardship, without any critical or negative framing.
Killer of Sheep is a neorealist drama depicting the daily life and struggles of a working-class Black family in Watts, Los Angeles. The film does not feature any identifiable LGBTQ+ characters or themes, focusing instead on socio-economic realities and family dynamics within its specific cultural context.
The movie does not contain any action or adventure elements.
Killer of Sheep is an original film with no pre-existing source material, historical figures, or prior adaptations. All characters were created for this film, thus there are no instances of a character's gender being changed from an established canon.
Killer of Sheep is an original film from 1978, not an adaptation of pre-existing material or a biopic. Its characters were created for this specific production, meaning there is no prior canonical or historical racial establishment to be altered.
Combines user and critic ratings from four sources