In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
The film explores a brutal survival tradition driven by extreme resource scarcity, focusing on the human condition and the cycle of life and death rather than promoting a specific modern political ideology. Its observational approach to a pragmatic, albeit tragic, adaptation to harsh conditions places it as neutral.
This film features casting that is authentic to its specific Japanese cultural and historical setting, without any indication of intentional diversity-driven recasting. The narrative focuses on the harsh realities and traditions within this cultural context, rather than critiquing traditional Western identities or explicitly centering on DEI themes.
The Ballad of Narayama does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely centered on heterosexual relationships, familial obligations, and the struggle for survival within a traditional, impoverished community, rendering the LGBTQ+ portrayal N/A.
The movie does not contain any action or adventure elements.
This film is an adaptation of a novel and a remake of an earlier film. The main characters, including Orin and Tatsuhei, maintain their established genders from the source material and previous adaptations, with no instances of a character's gender being changed.
The film is a Japanese adaptation of a Japanese novel, set in historical Japan, featuring an entirely Japanese cast portraying Japanese characters. There are no instances where a character's established race from the source material or historical context was altered for the screen.
Combines user and critic ratings from four sources