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Combines user and critic ratings from four sources
There were three women lived with Pu Yi, the last emperor of China, during 1922 and 1924. Wan-jung, the Queen, ended up with being insane. Tan Yuling died. Wenxiu, a concubine, was eliminated from the Royal family. This ...
There were three women lived with Pu Yi, the last emperor of China, during 1922 and 1924. Wan-jung, the Queen, ended up with being insane. Tan Yuling died. Wenxiu, a concubine, was eliminated from the Royal family. This ...
The film primarily focuses on the historical complexities of the late Qing Dynasty, exploring themes of power, tradition, and national decline through the lens of its central characters without explicitly championing a modern progressive or conservative ideology.
The movie, a historical drama about a Chinese Empress, naturally features an East Asian cast, which is considered diverse without explicitly recasting traditionally white roles. Its narrative focuses on the challenges faced by a female ruler within a historical context, offering a subtle exploration of power dynamics rather than an explicit modern critique of traditional identities.
The film "The Last Empress" does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal to evaluate under the provided rubric, resulting in an N/A rating for its net impact on LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The film is a historical drama about Empress Dowager Cixi and other real historical figures from the late Qing Dynasty. There is no evidence or historical record suggesting that any canonically or historically established character's gender was altered for this portrayal.
The film depicts historical Chinese figures from the Qing Dynasty. The cast, consistent with the historical context and the film's origin, portrays these characters as East Asian, matching their established race. No race swaps are present.
Combines user and critic ratings from four sources