When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.
When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.
The film's narrative primarily explores apolitical themes of supernatural romance, personal liberation, and the comedic interplay between the living and the dead, without advocating for a specific political ideology.
The movie features a predominantly white cast without explicit race or gender swaps of traditional roles. Its narrative focuses on traditional identities without critique, presenting them neutrally or positively within a comedic framework, and does not incorporate explicit DEI themes.
High Spirits does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships and supernatural events within an Irish castle, thus offering no portrayal of queer identity or experiences.
The movie does not contain any action or adventure elements.
High Spirits (1988) is an original film, not an adaptation of pre-existing material or a biopic. Therefore, its characters do not have prior canonical or historical genders to be swapped from.
High Spirits (1988) is an original film with characters created specifically for this production. There are no pre-existing canonical or historical versions of these characters from other source material or real-world history that could be subject to a race swap.
Combines user and critic ratings from four sources