When his family is murdered, Johnny gets revenge on his former biker gang, The Slaves, and the police who lied to the gang about Johnny selling them out to the authorities.
When his family is murdered, Johnny gets revenge on his former biker gang, The Slaves, and the police who lied to the gang about Johnny selling them out to the authorities.
The film's central thesis promotes individual justice and vigilantism as the solution to rampant crime and an ineffective justice system, aligning with conservative themes of law and order and skepticism of government.
The movie features traditional casting without explicit DEI-driven race or gender swaps. Its narrative frames traditional identities neutrally or positively, without engaging in critical portrayals or making strong DEI themes central to the plot.
The Last Riders does not include any identifiable LGBTQ+ characters or themes within its narrative. The film focuses on action and revenge within a biker gang setting, with no elements related to queer identity present in its plot or character development.
The film features Sarah, a female character involved in the action, but there are no scenes depicting her or any other female character achieving victory in close-quarters physical combat against one or more male opponents. Her involvement in action sequences does not include such direct physical confrontations.
The Last Riders (1992) is an original film, not an adaptation, reboot, or biopic. All characters are new creations for this specific movie, meaning there is no prior source material or historical baseline from which a character's gender could have been swapped.
The Last Riders (1992) is an original film, not an adaptation of existing source material or a biopic. All characters are original to this production, meaning there is no prior canonical or historical race to compare against for a race swap.
Combines user and critic ratings from four sources