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Gideon Dobbs is young, simple-minded man who has never stopped dreaming. He checks into a retirement home where he finds the residents have lost their lust for life. Through his innocence he changes their lives and teaches them that each day is a precious gift. They get back their self-esteem and their lust for life.
Gideon Dobbs is young, simple-minded man who has never stopped dreaming. He checks into a retirement home where he finds the residents have lost their lust for life. Through his innocence he changes their lives and teaches them that each day is a precious gift. They get back their self-esteem and their lust for life.
The film explores universal human experiences such as life, death, love, and connection within a hospital setting, offering personal and humanistic solutions to existential challenges rather than engaging with partisan political issues.
The movie features a traditional cast, predominantly white, with no evident intentional race or gender swaps. Its narrative, a lighthearted comedy, does not engage with DEI themes or offer critiques of traditional identities.
In the hospice setting, the film portrays characters who find solace and strength in their Christian faith. The narrative treats these personal expressions of belief with empathy, validating faith as a source of comfort and meaning for individuals facing mortality.
Without specific content details for the film 'Gideon', it is not possible to evaluate its portrayal of LGBTQ+ characters or themes according to the provided rubric. Therefore, no depiction can be identified.
The movie does not contain any action or adventure elements.
The film "Gideon" (1998) is an original story and not an adaptation of pre-existing material with established characters. Therefore, no characters exist who were canonically, historically, or widely established as a different gender prior to this film's production.
The film "Gideon" (1998) is an original story, not an adaptation of pre-existing material with established characters or a depiction of historical figures. Therefore, no characters existed prior to the film with a canonically or historically established race that could be subject to a race swap.
Combines user and critic ratings from four sources