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Combines user and critic ratings from four sources
The film focuses on the changing relationships between Münir, his wife Perihan, and their friend Kenan as a result of a misunderstanding. Münir is a passionate musician and composer. He does not show his compositions to anyone other than his wife Perihan and his close friend Kenan. Kenan and Perihan, who find Münir's compositions very successful, devise a plan. They submit the compositions to a composition competition without Münir's knowledge. However, when Münir learns of their secret meetings, he misinterprets the relationship. As a result, his relationship with Perihan and Kenan deteriorates. When Münir's composition wins the competition, everything comes to light. However, undoing what has happened during this process will not be easy for anyone.
The film focuses on the changing relationships between Münir, his wife Perihan, and their friend Kenan as a result of a misunderstanding. Münir is a passionate musician and composer. He does not show his compositions to anyone other than his wife Perihan and his close friend Kenan. Kenan and Perihan, who find Münir's compositions very successful, devise a plan. They submit the compositions to a composition competition without Münir's knowledge. However, when Münir learns of their secret meetings, he misinterprets the relationship. As a result, his relationship with Perihan and Kenan deteriorates. When Münir's composition wins the competition, everything comes to light. However, undoing what has happened during this process will not be easy for anyone.
The film's central conflict revolves around universal themes of individual choice, romantic love, and familial expectations, rather than explicitly promoting a specific political ideology or critiquing systemic issues from a political standpoint.
This 1956 Turkish film features casting that is traditional for its cultural context, without explicit DEI-driven choices. Its narrative does not appear to critique traditional identities or center explicit DEI themes.
The film "Kalbimin Şarkısı" by Lütfi Ö. Akad does not feature any identifiable LGBTQ+ characters or themes. Its narrative primarily focuses on heterosexual relationships and artistic pursuits, leading to a determination of N/A for its portrayal of LGBTQ+ elements within the story.
The movie does not contain any action or adventure elements.
Kalbimin Şarkısı (1956) is an original Turkish film, not an adaptation of a prior work with established characters. Therefore, no characters exist who were canonically or historically established as one gender and then portrayed as another.
This 1956 Turkish film is not an adaptation of a work with canonically established characters of a different race, nor is it a biopic of a historical figure whose race would constitute a swap. There is no evidence of any character being portrayed by an actor of a different race than their established or implied background.
Combines user and critic ratings from four sources