7.4
Viewer Rating
Combines user and critic ratings from four sources
Barbaros Hayrettin Paşa (1951)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 7.4
Overview
The film tells the story of the struggle between Barbaros Hayrettin Pasha and Count Vespasiano. Barbaros Hayrettin Pasha and his fleet engage in battle off the coast of Fondi Castle. They capture Count Reinaldi and his niece, Countess Julia, from the defeated fleet to obtain ransom. Barbaros Hayrettin demands the ransom from Julia's fiancé, Count Vespasyo of Fondi Castle. Julia, who does not want to marry Vespasyo, asks Barbaros to help her. However, Barbaros remains indifferent to this request. In response, Vespasio attacks the island of Midilli, where Barbaros resides, and takes many people captive. A major battle erupts between Vespasio and Barbaros. Countess Julia will await her next encounter with Barbaros.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Negative
Islam: Positive
Overview
The film tells the story of the struggle between Barbaros Hayrettin Pasha and Count Vespasiano. Barbaros Hayrettin Pasha and his fleet engage in battle off the coast of Fondi Castle. They capture Count Reinaldi and his niece, Countess Julia, from the defeated fleet to obtain ransom. Barbaros Hayrettin demands the ransom from Julia's fiancé, Count Vespasyo of Fondi Castle. Julia, who does not want to marry Vespasyo, asks Barbaros to help her. However, Barbaros remains indifferent to this request. In response, Vespasio attacks the island of Midilli, where Barbaros resides, and takes many people captive. A major battle erupts between Vespasio and Barbaros. Countess Julia will await her next encounter with Barbaros.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative celebrates a powerful historical military leader and the assertion of national/imperial strength, aligning its dominant themes with values often associated with patriotism and strong leadership, thus earning a right-leaning rating.
This 1951 Turkish historical film about an Ottoman admiral features casting that aligns with traditional practices for its era and setting, without incorporating modern diversity-driven recasting. The narrative focuses on its historical subject matter, presenting traditional identities neutrally or positively, and does not include explicit critiques of these identities or central DEI themes.
Secondary
Christianity is depicted as the religion of the Ottoman Empire's adversaries, often associated with their aggressive actions and presented in opposition to the heroic Muslim protagonists, without significant counterbalancing positive portrayals.
The film portrays Islam as the foundational faith of the heroic Barbaros Hayrettin Paşa and the Ottoman Empire, aligning it with virtues of strength, justice, and the protagonist's righteous cause against his adversaries.
The film "Barbaros Hayrettin Paşa" is a historical drama from 1951 focusing on the life of the Ottoman admiral. There is no readily available information or critical discussion suggesting the presence of identifiable LGBTQ+ characters or themes within the narrative. Therefore, the film does not depict LGBTQ+ content.
The movie does not contain any action or adventure elements.
The film depicts Barbaros Hayrettin Paşa, a real historical figure documented as male, and there is no evidence that he or any other historically established character in this 1951 production was portrayed as a different gender.
The film portrays the historical figure Barbaros Hayrettin Paşa. The actor, Cüneyt Gökçer, is of Turkish descent, consistent with the historical figure's documented Mediterranean/Middle Eastern background. No race swap is identified.
Viewer Rating Breakdown
User Ratings
4.8
10.0
Critic Ratings
N/A
N/A
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