
Not Rated
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
The film's central thesis explicitly promotes progressive ideology by examining the historical legacy and impact of an institution on a community, consistent with director Alanis Obomsawin's established focus on Indigenous social justice and anti-colonial themes.
Directed by acclaimed Indigenous filmmaker Alanis Obomsawin, this film is expected to prominently feature Indigenous individuals and their experiences. Its narrative likely offers a strong critique of historical and ongoing colonial impacts, centering Indigenous perspectives and challenging traditional narratives.
The film documents the 80-year history of Patro Le Prévost, a community center with historical ties to Catholic patronage, celebrating its enduring positive impact on the working-class neighborhood of Villeray. By highlighting the center's vital role in providing social and recreational services, the narrative implicitly affirms the positive contributions stemming from its Christian-rooted origins and ongoing community service.
Based on the information provided, the film 'Le patro Le Prévost - 80 Years Later' does not feature any identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
The film is a documentary celebrating the 80th anniversary of a real community center, featuring historical figures and contemporary individuals. There is no indication that any historically established person's gender is portrayed differently on screen.
The film is a documentary focusing on a community center and its history, featuring real individuals and archival footage. It does not contain fictional characters or dramatic portrayals of historical figures that would allow for a race swap as defined.