In the near future, cloning is now technically advanced, but human cloning is still illegal. Adam Gibson (Schwarzenegger) returns home after working with his friend Hank Morgan (Rapaport), only to find a clone of himself...
In the near future, cloning is now technically advanced, but human cloning is still illegal. Adam Gibson (Schwarzenegger) returns home after working with his friend Hank Morgan (Rapaport), only to find a clone of himself...
The film critiques the unethical application of advanced technology and corporate greed, addressing concerns that resonate across the political spectrum, and champions an individualistic solution to a specific problem rather than advocating for a broad ideological stance.
The movie features a predominantly white main cast without explicit race or gender swaps of traditionally white roles. Its narrative centers on the ethical implications of cloning and corporate power, without explicitly critiquing or negatively framing traditional identities.
The film "The 6th Day" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on science fiction concepts of cloning and action, with no elements related to queer identity or experiences. Therefore, there is no portrayal to evaluate.
The film primarily features male characters in its action sequences. No female characters are depicted engaging in or winning close-quarters physical combat against one or more male opponents.
The 6th Day is an original science fiction film from 2000, not an adaptation of pre-existing material or a historical biopic. All characters were created for this specific film, meaning there are no prior canonical or historical versions whose gender could have been swapped.
The 6th Day is an original science fiction film from 2000, not an adaptation, biopic, or reboot. All characters were created for this film, thus lacking any prior established race to be swapped.
Combines user and critic ratings from four sources