Leans Traditional
2.8
Chopin's Funeral March Burlesqued
(1907)
Political: Center
Diversity: Low
Moitié de polka (1908)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
1908 French short silent film by Georges Méliès, which is currently presumed lost. Though the plot of the film is unknown, it may have been built around a parody of the famous illusionist Buatier de Kolta, whose name is parodied in the film's title.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
1908 French short silent film by Georges Méliès, which is currently presumed lost. Though the plot of the film is unknown, it may have been built around a parody of the famous illusionist Buatier de Kolta, whose name is parodied in the film's title.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This early silent film by Georges Méliès is a short, likely performance-based or trick film, characteristic of the era's focus on spectacle and entertainment. It contains no discernible political themes or social commentary, making its ideological context entirely apolitical.
This film, a product of early cinema by Georges Méliès, features traditional casting practices typical of its era, without any intentional diversity or race/gender swaps. Its narrative focuses on spectacle and entertainment, containing no explicit critique of traditional identities or central DEI themes.
Secondary
As a very early silent film by Georges Méliès, "Moitié de polka" does not feature any discernible LGBTQ+ characters or themes. Its focus aligns with the visual spectacles and simple narratives common to cinema of its era, predating the widespread inclusion or explicit portrayal of such identities in film.
The movie does not contain any action or adventure elements.
This 1908 Georges Méliès film is an original short and not an adaptation of any prior work with established characters. Therefore, no characters exist who were canonically or historically established as one gender and then portrayed as another.
This 1908 silent film by Georges Méliès is an original work, not an adaptation of existing material with pre-established characters or historical figures. Therefore, the concept of a character's race being swapped does not apply.
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