Not Rated
The scene represents the shop that rents garments for masquerades, A young student presents himself for the purpose of selecting a costume for a masked ball. The proprietor shows him several, which he refuses, one alter the other, for one reason or another. The costumer, furious at having found nothing to suit his client, who seemed hard to please, opens a hamper from which he draws the clothing of a clown, of an acrobat, of a musketeer, of a danseuse, and of various other personages which, as soon as he throws them down beside him, begin to move about and become animated, These animated costumes seize the student, deal him some hard blows, and shut him in the hamper from which they have come out. After terrific efforts, the unfortunate student extricates himself from the basket and throws himself upon what he supposes to be human beings, but his hand only grasps some tatters without consistence. They fall to the floor and he flies away in astonishment.
The scene represents the shop that rents garments for masquerades, A young student presents himself for the purpose of selecting a costume for a masked ball. The proprietor shows him several, which he refuses, one alter the other, for one reason or another. The costumer, furious at having found nothing to suit his client, who seemed hard to please, opens a hamper from which he draws the clothing of a clown, of an acrobat, of a musketeer, of a danseuse, and of various other personages which, as soon as he throws them down beside him, begin to move about and become animated, These animated costumes seize the student, deal him some hard blows, and shut him in the hamper from which they have come out. After terrific efforts, the unfortunate student extricates himself from the basket and throws himself upon what he supposes to be human beings, but his hand only grasps some tatters without consistence. They fall to the floor and he flies away in astonishment.
The film's central subject matter is purely visual spectacle and magic, devoid of any discernible political themes or conflicts. Its apolitical nature is the decisive factor for its neutral rating.
This early 20th-century trick film by Georges Méliès features traditional casting reflective of its era, without any intentional race or gender swaps. The narrative is purely focused on visual spectacle and special effects, and therefore does not engage with or critique traditional identities or present any DEI themes.
The Animated Costumes is a silent trick film from 1900 by Georges Méliès, primarily showcasing special effects with dancing and transforming costumes. It does not feature any identifiable LGBTQ+ characters or themes, consistent with the filmmaking conventions of its era and genre.
The movie does not contain any action or adventure elements.
This 1904 Georges Méliès film is an original work featuring animated costumes and figures. It does not adapt any pre-existing source material with established characters or historical figures, thus precluding any gender swaps.
The Animated Costumes (1904) is an early trick film by Georges Méliès. It does not feature characters with pre-established racial identities from source material, history, or prior canon, making the concept of a race swap inapplicable.