
Not Rated
The film's primary objective is lighthearted, character-driven comedy focused on the protagonist's travel misadventures, which inherently lacks significant political commentary or ideological promotion. The narrative's problem and solution are personal and comedic, not societal or political.
This early 20th-century silent comedy features a predominantly traditional cast, typical of its era, with no evidence of intentional diversity-driven casting or race/gender swaps. The narrative focuses on the comedic misadventures of its white, male protagonist without offering any critique of traditional identities or incorporating explicit DEI themes.
The film, typical of its era's travelogues, likely depicts Islamic cultures through exoticized and stereotypical imagery, using them as a backdrop for comedic misunderstandings rather than offering nuanced portrayal. This reinforces 'otherness' and plays into existing Western biases.
This early 20th-century silent comedy, 'Comment Max fait le tour du monde,' focuses on Max Linder's character undertaking a global adventure for a wager. The narrative contains no discernible LGBTQ+ characters or themes, resulting in a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
This 1911 silent film features original characters, primarily Max Linder's 'Max.' There is no pre-existing source material, historical record, or prior canon for these characters to establish an original gender that could then be swapped.
This 1911 film is an original work, not an adaptation of pre-existing material with established character races. Therefore, no character could have been canonically, historically, or widely established as a different race prior to this film's creation.