As World War II rages, the elite Sixth Ranger Battalion is given a mission of heroic proportions: push 30 miles behind enemy lines and liberate over 500 American prisoners of war.
As World War II rages, the elite Sixth Ranger Battalion is given a mission of heroic proportions: push 30 miles behind enemy lines and liberate over 500 American prisoners of war.
The film's narrative celebrates military heroism, duty, and national resolve through a daring World War II prisoner rescue mission, aligning with traditional conservative values of national defense and valor.
The movie features visible diversity in its cast, primarily due to the historical setting involving Filipino characters alongside American soldiers, without explicit race or gender swaps of traditionally white roles. The narrative maintains a traditional framing, portraying central identities positively without explicit critique or strong DEI themes.
The film portrays Christianity as a source of resilience and moral fortitude for American soldiers enduring brutal captivity. Scenes of prayer and the presence of a chaplain highlight faith as a crucial element providing hope and comfort amidst extreme suffering. The narrative aligns with the dignity of the faith in adversity.
The film "The Great Raid" is a historical war drama focused on a World War II rescue mission. It does not feature any identifiable LGBTQ+ characters or themes, nor does it explore any aspects of queer identity or experience within its narrative.
The film focuses on American soldiers and Filipino guerrillas during World War II. The primary female character, Margaret Utinsky, is involved in espionage and resistance efforts but does not engage in direct physical combat. No female characters are depicted defeating male opponents in close-quarters physical altercations.
The Great Raid is a historical war film based on real events and figures from World War II. All major historical characters depicted in the film are portrayed on screen by actors matching their documented historical gender, with no instances of gender alteration for established figures.
The film depicts historical figures from World War II. Analysis of the main characters and their historical racial backgrounds against their on-screen portrayals reveals no instances where a character's established race was changed to a different racial category, adhering to the provided definition and exclusions.
Combines user and critic ratings from four sources