Leans Traditional
7.3
Kalbimin Şarkısı
(1956)
Political: Center
Diversity: Low
Miras Uğrunda (1956)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Sema, who has been away from home for a long time, returns to the mansion for the reading of her father's will after his death. Samiş, the son of the deceased man's first wife, his wife, his daughter Sema, the servants, and his mother Zübeyde all live together in the mansion. Sami is a sickly and ill-tempered man who suffers from epilepsy and has occasional seizures. After the will is read, it becomes clear that all of his property will go to his wife Zübeyde and daughter Sema, but if they are no longer alive, the inheritance will go to his son Sami from his first wife. And from there, the events unfold.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Sema, who has been away from home for a long time, returns to the mansion for the reading of her father's will after his death. Samiş, the son of the deceased man's first wife, his wife, his daughter Sema, the servants, and his mother Zübeyde all live together in the mansion. Sami is a sickly and ill-tempered man who suffers from epilepsy and has occasional seizures. After the will is read, it becomes clear that all of his property will go to his wife Zübeyde and daughter Sema, but if they are no longer alive, the inheritance will go to his son Sami from his first wife. And from there, the events unfold.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central theme of inheritance conflict is inherently broad and typically explored through universal human dramas and moral dilemmas, rather than explicitly promoting a specific political ideology or solution.
Based on the available information for this Turkish film, the casting appears traditional for its cultural context, without evidence of intentional diversity-driven recasting. The narrative, suggested by the title 'In the Name of Inheritance,' does not indicate any explicit critique of traditional identities or a central focus on DEI themes.
Secondary
The film "Miras Uğrunda" does not appear to feature any identifiable LGBTQ+ characters or themes. Available plot summaries and historical context for this 1951 Turkish drama suggest its narrative focuses on traditional family dynamics and inheritance disputes, without any elements related to queer identity.
The movie does not contain any action or adventure elements.
No source material or prior canonical character information is provided for the 1956 film "Miras Uğrunda." Without a baseline to compare against, it is not possible to identify any instances of gender swaps.
This 1956 Turkish film is not an adaptation of source material or a biopic with characters whose race was established differently from their on-screen portrayal. No instances of race swapping are identified.
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