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Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
The film primarily explores profound philosophical questions about humanity, consciousness, and identity in a technological age, rather than explicitly promoting a specific political ideology or offering politically charged solutions to its depicted problems.
The film features characters consistent with its Japanese setting and source material, without engaging in explicit race or gender swaps of roles traditionally associated with Western demographics. Its narrative focuses on philosophical themes rather than critiquing traditional identities or explicitly centering DEI themes.
The film deeply integrates and respectfully explores Buddhist philosophical concepts such as the 'ghost' (soul/consciousness), reincarnation, and the illusion of self, using them as a profound framework for its central existential questions about humanity and artificial intelligence. The narrative treats these ideas with intellectual curiosity and dignity, affirming their relevance to understanding existence.
The film does not feature any explicit LGBTQ+ characters, relationships, or themes. Its narrative is centered on philosophical inquiries into humanity and artificial intelligence, with no discernible portrayal of queer identity.
The movie does not contain any action or adventure elements.
Ghost in the Shell 2: Innocence is a direct sequel that maintains the established genders of its core characters from the original manga and previous film. No canonical characters are portrayed with a different gender.
This animated Japanese film is a direct sequel to the 1995 "Ghost in the Shell" movie, maintaining the established visual depictions of its characters, who are consistently portrayed as East Asian/Japanese, aligning with their original source material. No characters established as one race are depicted as a different race.
Combines user and critic ratings from four sources