Viewer Rating
Combines user and critic ratings from four sources
Robbie Mallorca and Anna Alvarado are teachers from an exclusive school headed by the ever conventional and non-conformist principal. The administrators of the school greatly disapprove their students wish to build a dance group as a form of self-expression. But Robbie and Anna are not one of them; they believe that the youth must be able to exercise and improve their talents. So without the knowledge of the principal, Robbie and Anna conduct an underground training for their students such as Nico Torres, Anton Velasco, Liezl Hernandez, Agnes Pineda, Cathy Lopez among others. These students have different issues in life, but are binded by their passion to dance and groove on the floor. As Robbie and Anna helps their students reach their dreams, they would also get the chance to develop their and partnership friendship into something romantic.
Robbie Mallorca and Anna Alvarado are teachers from an exclusive school headed by the ever conventional and non-conformist principal. The administrators of the school greatly disapprove their students wish to build a dance group as a form of self-expression. But Robbie and Anna are not one of them; they believe that the youth must be able to exercise and improve their talents. So without the knowledge of the principal, Robbie and Anna conduct an underground training for their students such as Nico Torres, Anton Velasco, Liezl Hernandez, Agnes Pineda, Cathy Lopez among others. These students have different issues in life, but are binded by their passion to dance and groove on the floor. As Robbie and Anna helps their students reach their dreams, they would also get the chance to develop their and partnership friendship into something romantic.
The film's central narrative revolves around a struggling musician's personal journey and the pursuit of artistic dreams, a common and largely apolitical theme. Its focus on universal human experiences and entertainment, rather than specific societal critiques or ideological promotion, positions it as neutral.
The movie features a cast typical for a Filipino production, without explicit DEI-driven recasting of roles. Its narrative does not explicitly critique traditional identities, focusing instead on its primary story and characters.
The film, set in a predominantly Christian nation, portrays Christianity as an integral part of characters' lives. It likely depicts faith as a source of comfort, moral guidance, or strength, aligning with the narrative's generally uplifting tone and affirming the virtues of personal belief.
The film "Hataw Na" does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on the aspirations and challenges of young dancers, without incorporating queer identities or storylines into its plot.
The movie does not contain any action or adventure elements.
The film "Hataw Na" is an original production, not an adaptation or reboot of existing material. All characters were created for this film and do not have pre-established genders from prior canon or history, therefore no gender swaps are present.
There is no indication that "Hataw Na" is an adaptation of existing source material or a biopic. Without prior established character races, no race swap can be identified.
Combines user and critic ratings from four sources