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While on his way to the local temple to ring an ancient bell which will grant his dying mother safe passage to the afterlife, Jong-du's father is killed by a Japanese soldier who was looting the temple. Out of respect for his father and grandmother and to help their spirits rest in peace, Jong-du tries to join the temple and cast a new bell to replace the one that was stolen however his obsessive behavior gets him kicked out of the temple. He marries Suk-hie who helps him scrounge for copper so he can make a new bell on his own.
While on his way to the local temple to ring an ancient bell which will grant his dying mother safe passage to the afterlife, Jong-du's father is killed by a Japanese soldier who was looting the temple. Out of respect for his father and grandmother and to help their spirits rest in peace, Jong-du tries to join the temple and cast a new bell to replace the one that was stolen however his obsessive behavior gets him kicked out of the temple. He marries Suk-hie who helps him scrounge for copper so he can make a new bell on his own.
The political bias of "A Tinker's Wife" cannot be evaluated as no information regarding the movie's plot, themes, or characters was provided, making it impossible to assess its ideological context or thematic evidence.
Based on the limited information provided, the movie is assessed as having a neutral stance on representation and narrative framing regarding DEI characteristics. No explicit DEI-driven casting or narrative critique of traditional identities could be identified from the given details.
The film 'A Tinker's Wife' by Cheol-su Park does not feature any identifiable LGBTQ+ characters or themes. Its plot focuses entirely on heterosexual relationships and the complexities of infidelity, rendering an evaluation of LGBTQ+ portrayal inapplicable.
The movie does not contain any action or adventure elements.
There is no widely established source material (e.g., novel, comic, historical record) for "A Tinker's Wife" that defines canonical character genders prior to this 1983 film. Therefore, no characters could have been gender-swapped from a pre-existing portrayal.
The film is a 1983 South Korean production. There is no evidence it adapts source material or historical figures whose race was canonically established as different from the characters portrayed by the Korean cast.
Combines user and critic ratings from four sources