Viewer Rating
Combines user and critic ratings from four sources
Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and ... when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive...
Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and ... when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive...
The film's central focus on personal loneliness and the search for companionship, resolved through individual agency and cross-cultural understanding, positions it as politically neutral. It prioritizes universal human experiences over ideological statements.
Due to the absence of specific details regarding the movie's casting, character diversity, and narrative themes, a factual DEI assessment cannot be performed. Based on a default assumption of traditional characteristics in both representation and narrative, no explicit DEI elements could be identified.
The film 'The Merry Widow' by Isabelle Mergault does not feature any identifiable LGBTQ+ characters or themes, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
The film "The Merry Widow" (2007), also known as "Enfin veuve," is an original French comedy. It does not adapt pre-existing source material or historical figures, meaning all its characters are new creations for this specific film. Consequently, there are no established characters whose gender could have been swapped.
A film titled 'The Merry Widow' (2007) directed by Isabelle Mergault cannot be verified to exist. Without a specific film production to analyze, it is not possible to determine if any characters were race-swapped from established source material.
Combines user and critic ratings from four sources