
Not Rated
The Children's Dance from 'Elverhøj', performed by Gudrun Christensen and Helga Smith. Elverhøj (1828; literal translation, Elves’ Hill) by Johan Ludvig Heiberg, with music by Frederik Kuhlau, is considered the Danish national play. It was commissioned by King Frederik VI for the marriage of his youngest daughter Vilhelmine Marie to Frederik Carl Christian (later King Frederik VII). (Stumfilm.DK)
The Children's Dance from 'Elverhøj', performed by Gudrun Christensen and Helga Smith. Elverhøj (1828; literal translation, Elves’ Hill) by Johan Ludvig Heiberg, with music by Frederik Kuhlau, is considered the Danish national play. It was commissioned by King Frederik VI for the marriage of his youngest daughter Vilhelmine Marie to Frederik Carl Christian (later King Frederik VII). (Stumfilm.DK)
The film is a direct recording of a children's dance from a Danish national romantic play, 'Elverhøj'. Its subject matter and execution are entirely apolitical, focusing solely on cultural performance without presenting any discernible political problem or solution.
This early 20th-century silent film, a simple recording of a children's dance, features traditional casting reflective of its era and origin. The film's non-narrative nature means it does not engage with or critique traditional identities, nor does it explicitly incorporate diversity, equity, or inclusion themes.
The film, 'The Children's Dance from 'Elverhøj'', does not feature any identifiable LGBTQ+ characters or themes. Its content, as suggested by the title and historical context, focuses on a dance performance, leading to a determination of N/A for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
This 1902 film is a direct recording of a ballet performance, specifically 'The Children's Dance' from 'Elverhøj'. It does not feature narrative characters with established canonical genders that are then portrayed differently, thus no gender swaps occur.
This 1902 silent film is a short recording of a dance performance from a Danish play. There is no evidence or historical context to suggest any character had an established race that was subsequently changed in this early cinematic adaptation.