Leans Traditional
0.0
The Children's Dance from 'Elverhøj'
(1902)
Political: Center
Diversity: Low
From Siberia to Moscow (1905)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
'From Siberia to Moscow' (1876) was August Bournonville’s last long ballet. It was inspired by an 1874 trip to Russia, where Bournonville met Marius Petipa and saw several of his ballets. The music was composed by Carl Christian Møller. The smart prances of the Jockey Dance are here performed by Gustav Uhlendorff (1875-1962), dancer and later master of the Danish Royal Ballet in the 1920s, and dancer Richard Jensen (1883-1935), who acted in a number of Danish silent films in the early 1910s. (Stumfilm. DK)
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
'From Siberia to Moscow' (1876) was August Bournonville’s last long ballet. It was inspired by an 1874 trip to Russia, where Bournonville met Marius Petipa and saw several of his ballets. The music was composed by Carl Christian Møller. The smart prances of the Jockey Dance are here performed by Gustav Uhlendorff (1875-1962), dancer and later master of the Danish Royal Ballet in the 1920s, and dancer Richard Jensen (1883-1935), who acted in a number of Danish silent films in the early 1910s. (Stumfilm. DK)
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title suggests a travelogue or documentary about a geographical journey, which, without further content information, is inherently apolitical and observational rather than promoting a specific ideological viewpoint.
This early 20th-century Danish film features traditional casting consistent with its historical context and does not present a narrative that critiques traditional identities or explicitly incorporates diversity, equity, and inclusion themes.
Secondary
As a short, early 20th-century silent travelogue, 'From Siberia to Moscow' focuses on documenting a journey. It contains no identifiable LGBTQ+ characters or themes, nor does its historical context or genre suggest such portrayals.
The movie does not contain any action or adventure elements.
This 1905 travelogue/documentary-style film does not feature named characters or adaptations of established source material with canonical genders. Therefore, no gender swaps are present.
This 1905 silent film is a travelogue and does not feature named, plot-relevant characters with established racial identities from source material, prior adaptations, or historical records. Therefore, the concept of a race swap does not apply.
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