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Based on the novel 'Evolution Man' by Roy Lewis, this tells the story about the first man - young Edward - to descend from apes. Edward is ejected by his tribe, but is very resourceful. He learns to walk, discovers fire, manages to hunt - and we follow him as he evolves. He has a generous nature, and search for true humanity - a world where we don't eat our fathers.
Based on the novel 'Evolution Man' by Roy Lewis, this tells the story about the first man - young Edward - to descend from apes. Edward is ejected by his tribe, but is very resourceful. He learns to walk, discovers fire, manages to hunt - and we follow him as he evolves. He has a generous nature, and search for true humanity - a world where we don't eat our fathers.
The film's core subject matter, the comedic portrayal of early human evolution and the discovery of tools and fire, is inherently apolitical, focusing on universal themes of progress and survival rather than specific modern political ideologies.
This animated film, set in a prehistoric ape society, does not feature human characters, rendering traditional DEI casting criteria for human roles inapplicable. Its narrative explores themes of evolution and innovation within an ape community, without engaging in critiques of human traditional identities or explicit DEI themes.
The film "Animal Kingdom: Let's Go Ape" does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on early hominid evolution and survival, with no elements related to queer identity or experiences depicted within its plot or character arcs.
The film is an animated comedy focusing on early hominids. While female characters are present, none are depicted engaging in or winning direct physical combat against one or more male opponents using skill, strength, or martial arts. Combat scenes primarily involve male characters or group brawls.
This animated film is an adaptation of Roy Lewis's novel "Evolution, Incorporated." A review of the primary characters from the source material and their portrayal in the film reveals no instances where a character's established gender was changed.
The film depicts prehistoric hominids, not human characters with established racial identities. The concept of 'race swap' as defined does not apply to these characters, as there is no prior human racial baseline from the source material.
Combines user and critic ratings from four sources