Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and the very first female director of a major German orchestra....
Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and the very first female director of a major German orchestra....
The film consciously balances competing viewpoints by depicting both the justified consequences of abuse of power and the destructive, often ambiguous, nature of modern public reckoning, without explicitly endorsing one ideological stance over another.
Tár features a prominent female, lesbian protagonist navigating a male-dominated classical music world. The film explores themes of power and accountability through her individual story, rather than explicitly critiquing traditional identities or centering on broader DEI themes in its narrative.
The film features a prominent lesbian protagonist, Lydia Tár, and her relationships with other women. While her queer identity is integral to her character and relationships, the narrative primarily explores themes of power, abuse, and artistic integrity. The film neither affirms nor denigrates LGBTQ+ identity, presenting it as a natural aspect of complex characters without making it the subject of moral judgment or celebration.
The movie does not contain any action or adventure elements.
Tár is an original film featuring newly created characters, including the protagonist Lydia Tár. There are no pre-existing source materials, historical figures, or prior adaptations from which characters' genders could have been altered.
The film "Tár" features an original story and characters created specifically for this production. There is no prior source material or historical record establishing a canonical race for any character to be changed from.
Combines user and critic ratings from four sources