Follows a father who seeks a fresh start with his son after the loss of his wife, and purchased a storage unit facility sight unseen, but secrets buried behind the metal doors become a parent's worst nightmare.
Follows a father who seeks a fresh start with his son after the loss of his wife, and purchased a storage unit facility sight unseen, but secrets buried behind the metal doors become a parent's worst nightmare.
The film's narrative centers on personal and psychological horror involving a grieving father and son, focusing on supernatural and familial struggles without engaging in overt political themes or commentary, leading to a neutral rating.
The film features a predominantly white cast with limited visible diversity, adhering to conventional social representation. Its narrative focuses on a horror story within a family and community, without foregrounding issues of racial or cultural diversity or offering a critique of traditional identities.
The film portrays Christian clergy, specifically priests, as essential and effective figures in combating demonic possession and supernatural evil. Their involvement in spiritual warfare and exorcism is depicted as a necessary and valid force against malevolent entities, aligning the narrative with the protective and cleansing aspects of the faith.
Based on available information, 'Possessions' does not appear to include any identifiable LGBTQ+ characters or themes. The film's narrative centers on a heterosexual family and psychological horror, with no indication of LGBTQ+ representation or related social issues in its plot or character arcs.
The movie does not contain any action or adventure elements.
The film "Possessions" (2024) is an original story, not an adaptation or reboot of existing material. The provided information explicitly states that the film does not highlight or prominently feature gender swapping themes or gender role reversals, and its characters are new creations for this specific film.
The film "Possessions" (2024) is presented as an original movie without any indication of being an adaptation, reboot, or biopic. As such, its characters are new creations, and casting choices for these roles do not meet the definition of a 'race swap' as there are no pre-established racial baselines.
Combines user and critic ratings from four sources