Leans Traditional
7.8
Le Prénom : la pièce de théâtre
(2012)
Political: Center
Diversity: Low
Jésus au jardin des oliviers (1902)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
An angel appears to Jesus, who comforts him while he is in the garden of olives and is praying for the strength to do the will of the Father.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Judaism: Negative
Overview
An angel appears to Jesus, who comforts him while he is in the garden of olives and is praying for the strength to do the will of the Father.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a direct, uninterpreted depiction of a core biblical event, focusing on spiritual struggle and divine will without embedding any explicit contemporary political commentary or ideological promotion.
This film, a biblical adaptation from the early 20th century, features traditional casting consistent with the era, primarily utilizing white European actors for its roles. The narrative focuses on the religious story without incorporating critical portrayals of traditional identities or explicit DEI themes.
Secondary
The film reverently depicts a pivotal event in Christian theology, affirming the spiritual significance of Jesus's sacrifice and aligning with the core tenets of the faith.
The film portrays Jewish religious authorities and figures (e.g., Judas, the Sanhedrin) as antagonists who condemn Jesus, contributing to his suffering and death, without offering counterbalancing positive nuance for the religion itself.
This early silent film focuses on the biblical event of Jesus in the Garden of Gethsemane. Its narrative is strictly confined to this religious depiction, and as such, it does not feature any identifiable LGBTQ+ characters or themes. The film's scope precludes such portrayals.
The movie does not contain any action or adventure elements.
This 1902 film depicts a biblical scene. There is no historical or cinematic evidence to suggest that any canonically male characters, such as Jesus or his disciples, were portrayed as female.
The film, made in 1902, likely depicted Jesus as European white, consistent with the widely established artistic conventions of the time in Western media. This portrayal does not constitute a 'race swap' as it aligns with the then-prevailing visual representation rather than departing from it.
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