Viewer Rating
Combines user and critic ratings from four sources
Editor Kurumada is in charge of the popular author Hara. When he receives a call from the capricious Hara and goes to retrieve the manuscript, Hara hugs his wife, Mariko, in his study as if to show off to Kurumada. Even though Kurumada suppressed her rising anger, Mariko's foolishness still stuck in her mind. Afterwards, Kurumada is invited to Mariko's home and begins a relationship with her. The incident was videotaped by Hara. Hara claims that he has the right to embrace Kurumada's wife, Yumi... The second work in the series depicting the sexual behavior of a married woman who indulges in swapping.
Editor Kurumada is in charge of the popular author Hara. When he receives a call from the capricious Hara and goes to retrieve the manuscript, Hara hugs his wife, Mariko, in his study as if to show off to Kurumada. Even though Kurumada suppressed her rising anger, Mariko's foolishness still stuck in her mind. Afterwards, Kurumada is invited to Mariko's home and begins a relationship with her. The incident was videotaped by Hara. Hara claims that he has the right to embrace Kurumada's wife, Yumi... The second work in the series depicting the sexual behavior of a married woman who indulges in swapping.
The film explores specific interpersonal and sexual dynamics within a marriage, focusing on themes of submission, voyeurism, and desire. It does not explicitly promote or critique a particular political ideology, instead focusing on apolitical themes of human relationships and desires.
The movie features casting typical for its genre and origin, without explicit DEI-driven choices. Its narrative focuses on adult themes and does not engage in critical portrayals of traditional identities or explicit DEI critiques.
The film does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on heterosexual dynamics, resulting in no portrayal of queer identity within the scope of the story.
The movie does not contain any action or adventure elements.
No information is provided regarding source material, prior character canon, or historical figures for this film. Without established character genders to compare against, it is not possible to identify any instances of a gender swap.
This 1997 Japanese film is not an adaptation of source material with canonically established characters of a specific race, nor is it a biopic of historical figures. There is no evidence to suggest any character was portrayed by an actor of a different race than originally established within its own continuity or external canon.
Combines user and critic ratings from four sources