An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.
An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.
The film's central conflict involves exposing deep-seated government corruption and the cover-up of war crimes by intelligence agencies, which aligns with progressive critiques of state power and demands for accountability.
The movie features a predominantly traditional cast without explicit race or gender swaps of established roles. Its narrative focuses on espionage and action, maintaining a neutral to positive portrayal of traditional identities without centralizing explicit DEI critiques.
The November Man is an action-thriller that does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate within the scope of this framework.
The film features female characters, but none are depicted engaging in or winning close-quarters physical combat against male opponents. Their roles do not involve direct hand-to-hand or melee weapon confrontations.
The film is an adaptation of Bill Granger's novel "There Are No Spies." All major characters, including Peter Devereaux, retain their established genders from the source material, with no instances of a character being portrayed as a different gender.
Based on the Bill Granger novel series, the film's main characters, including Peter Devereaux, are portrayed by actors whose race aligns with their established depictions in the source material. No instances of a character's race being changed from prior canon were identified.
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