
Not Rated
Saguenay and Lac-Saint-Jean: history, economy, tourist attractions, agriculture, wood and paper industry, and especially the gigantic aluminum industry whose products are found in all parts of the world; images of a blueberry field, the Lac Bouchette sanctuary, a religious gathering, a dam, a power plant, the Arvida plant, angling, Cap Éternité, construction canoes, etc.
Saguenay and Lac-Saint-Jean: history, economy, tourist attractions, agriculture, wood and paper industry, and especially the gigantic aluminum industry whose products are found in all parts of the world; images of a blueberry field, the Lac Bouchette sanctuary, a religious gathering, a dam, a power plant, the Arvida plant, angling, Cap Éternité, construction canoes, etc.
The film's central thesis explicitly promotes a traditional, industrious, and community-focused vision of the Saguenay region, aligning with conservative values of heritage, work ethic, and social order.
This 1937 documentary by Maurice Proulx features traditional casting, primarily showcasing the white French-Canadian population of the Saguenay region. The narrative positively frames traditional identities and values, consistent with the historical context and the director's focus on promoting regional development and traditional life.
The film, a documentary by a Catholic priest, portrays Christianity (specifically Catholicism) in a positive light, emphasizing its foundational role in the cultural identity and development of the Saguenay region. It celebrates the church's institutions and the faith of its adherents with respect and affirmation.
Maurice Proulx's 1932 documentary, 'Kingdom of the Saguenay,' explores the history and development of the Saguenay region. Its focus on traditional values and regional promotion means no identifiable LGBTQ+ characters or themes are present, leading to a net impact of N/A.
The movie does not contain any action or adventure elements.
As a 1957 historical documentary, "Kingdom of the Saguenay" focuses on factual accounts and historical figures. There is no evidence or historical context to suggest that any established historical character was portrayed with a different gender than their documented identity.
Kingdom of the Saguenay is a 1957 Canadian documentary film. As a documentary, it does not feature fictional characters or dramatic adaptations of historical figures with established canonical races, thus precluding the possibility of a race swap.