Traditional
0.0
Kingdom of the Saguenay
(1957)
Political: Strong Right
Diversity: Low
The beatification of Mother d'Youville (1959)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Ceremonies for the beatification of the foundress of the Sisters of Charity, Mother Marguerite d'Youville. The first Canadian to ascend the altar, Mother d'Youville was the object of national celebrations highlighted by a triduum of thanksgiving at the Temple of the Canadian Martyrs in Rome.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Ceremonies for the beatification of the foundress of the Sisters of Charity, Mother Marguerite d'Youville. The first Canadian to ascend the altar, Mother d'Youville was the object of national celebrations highlighted by a triduum of thanksgiving at the Temple of the Canadian Martyrs in Rome.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film celebrates the beatification of a religious figure, emphasizing traditional Catholic values, faith, and the role of religious institutions in providing charity, which aligns with conservative themes of tradition and private social welfare.
This historical film about the beatification of Mother d'Youville features traditional casting that aligns with the historical ethnicity of its subjects. The narrative focuses on the life and spiritual journey of the nun, presenting traditional identities in a neutral or positive light without incorporating explicit critiques or central DEI themes.
Secondary
The film is a hagiographic account celebrating the beatification of Mother d'Youville, a Catholic nun. It portrays her life, virtues, and the Catholic Church's recognition of her sanctity with deep respect and affirmation, aligning the narrative with the dignity and positive aspects of the faith.
This biographical film about Marie-Marguerite d'Youville, an 18th-century nun, focuses entirely on her religious devotion and the establishment of the Grey Nuns. The narrative does not include any identifiable LGBTQ+ characters or themes, resulting in no depiction.
The movie does not contain any action or adventure elements.
The film depicts the historical figure Marie-Marguerite d'Youville, who was unequivocally female. There is no indication that the 1959 production altered her gender or that of any other established historical character.
The film depicts the historical figure Marie-Marguerite d'Youville, a French-Canadian woman. There is no indication or historical record suggesting that the 1959 production portrayed her or any other historically white character as a different race.
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