Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he's asked to return to the skills that made him a mythic figure in the shadowy world of count...
Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he's asked to return to the skills that made him a mythic figure in the shadowy world of count...
The film's central conflict, likely involving a working-class individual's struggle, is resolved through an emphasis on individual agency and self-reliance, aligning its dominant themes with conservative values of personal responsibility and skepticism towards external systems.
The movie is assessed to have visible diversity in its casting, consistent with the director's typical approach, without engaging in explicit race or gender swaps of traditionally white roles. Its narrative does not feature a critical portrayal of traditional identities, instead framing them neutrally or positively.
The central family, originally established as white in the source novel, is portrayed as Latino in the film adaptation. This change in the racial/ethnic identity of core characters, including the introduction of distinct cultural elements, constitutes a race swap.
The film 'A Working Man' does not feature any identifiable LGBTQ+ characters or themes. The only couple mentioned is heterosexual, and there is no other explicit presence of queer identity within the narrative, leading to a 'No depiction' rating.
The provided information indicates that the physical resolution of conflicts in the film remains firmly with the male characters. Female characters' roles are secondary, and their empowerment is expressed through survival and rescue by male figures, rather than through direct physical victories against male opponents.
The provided information describes original characters within the film, such as a female antagonist and the kidnapped daughter Jenny, alongside a male protagonist. There is no indication that any character was previously established as a different gender in source material, history, or prior adaptations.
Combines user and critic ratings from four sources