Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss's daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss's daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
The film explicitly promotes a conservative, populist ideology by valorizing individual heroism and blue-collar ethics as the solution to systemic corruption by elites, reflecting a deep skepticism of institutional authority.
The movie features a racially diverse supporting cast, though its central narrative revolves around a white male protagonist. The film's themes emphasize traditional action and vigilante justice, without explicitly addressing systemic inequities or offering a critical portrayal of traditional identities.
A Working Man does not feature any identifiable LGBTQ+ characters or themes within its plot or character dynamics. The film focuses on action, crime, and personal struggles, with no explicit or notable portrayal of the LGBTQ+ community.
Based on available information, the film primarily focuses on male characters in combat. While one female character is noted as a fighter, no specific scenes are documented where female characters defeat male opponents in close-quarters physical combat.
The film "A Working Man" is an original screenplay, not an adaptation of pre-existing material with established character genders. There is no indication that any characters' on-screen gender differs from a prior canonical or historical gender.
The casting aligns with the characters' established backgrounds, including British, Hispanic, and Russian/Eastern European roles. While some actors are of different European ethnicities than their Russian characters, this is considered an ethnic/nationality shift rather than a race swap, as the broader racial category remains consistent with the source material.
Combines user and critic ratings from four sources