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Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.
Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.
The film is a lighthearted musical comedy centered on romance and show business, with no discernible political agenda or engagement with ideological themes, thus remaining apolitical.
This 1955 musical comedy features a cast that aligns with traditional Hollywood norms of its era, primarily consisting of white actors without any apparent intentional race or gender-swapped roles. The narrative focuses on lighthearted romance and entertainment, presenting traditional identities in a neutral or positive light without engaging in critical portrayals or explicit DEI themes.
Gentlemen Marry Brunettes is a 1955 musical comedy centered on two showgirls' quest for wealthy husbands. The film's plot and character arcs do not include any discernible LGBTQ+ characters, relationships, or themes, resulting in no portrayal of queer identity within its storyline.
The movie does not contain any action or adventure elements.
This film is a sequel to "Gentlemen Prefer Blondes" and features original characters Bonnie and Connie Jones, who are consistently portrayed as female in both the source material and the film. No established characters from prior canon or history appear to have undergone a gender change.
This film is a sequel to "Gentlemen Prefer Blondes." The main characters, Lorelei Lee and Dorothy Shaw, and other significant roles are portrayed by actors whose race aligns with their established depictions in the source novel and prior film. No character's race was changed from their canonical or widely established portrayal.
Combines user and critic ratings from four sources