A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau t...
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau t...
Hello, Dolly! is a musical comedy primarily focused on personal relationships and the pursuit of happiness. Its themes of love, community, and embracing life are largely apolitical, leading to a neutral rating as it neither promotes nor critiques specific political ideologies.
The movie features a predominantly white cast, consistent with traditional casting practices of its era, and does not include any intentional race or gender swaps of lead roles. Its narrative is a classic musical comedy that maintains a neutral to positive portrayal of traditional identities, without incorporating any explicit DEI critiques.
Hello, Dolly! is a traditional musical comedy centered on heterosexual romance and matchmaking in late 19th-century New York. The film does not feature any discernible LGBTQ+ characters, relationships, or themes within its narrative, resulting in a net impact of N/A.
Hello, Dolly! is a musical film primarily focused on romance, comedy, and elaborate song-and-dance numbers. It does not feature any scenes of physical combat, nor do any female characters engage in or win direct physical confrontations against male opponents.
The 1969 film "Hello, Dolly!" is an adaptation of a well-established Broadway musical. All primary and significant characters, such as Dolly Levi and Horace Vandergelder, maintain the same gender as depicted in the original source material. There are no instances where a character canonically established as one gender is portrayed as a different gender in the film.
The film "Hello, Dolly!" (1969) adapts a Broadway musical and earlier plays. All primary characters, established as white in the source material, are portrayed by white actors in the film. There are no instances of a character's race being changed from their canonical or established depiction.
Combines user and critic ratings from four sources