In colorful, bustling, modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's ...
In colorful, bustling, modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's ...
The film explores the emotional complexities of an intergenerational and interfaith romance intertwined with family and therapeutic ethics, focusing on personal journeys and universal relationship challenges rather than promoting a specific political ideology or solution.
The movie features a predominantly white cast in its main and supporting roles, without any intentional race or gender swaps of traditionally white characters. Its narrative focuses on a romantic relationship and family dynamics, and does not include any explicit critique of traditional identities or central DEI themes.
The film features a minor gay character, Morris, who is depicted respectfully as a supportive friend. His LGBTQ+ identity is present but incidental to the primary narrative, avoiding both strong positive and negative arcs. The portrayal is neither central nor problematic, resulting in a neutral net impact.
The movie does not contain any action or adventure elements.
Prime (2005) is an original film with characters created specifically for its screenplay. There are no pre-existing source materials, historical figures, or prior adaptations from which characters' genders could have been established and subsequently altered.
Prime (2005) is an original film with characters created for this specific production. There is no prior source material, historical record, or previous adaptation to establish a canonical race for any character that could then be altered.
Combines user and critic ratings from four sources